Billboard: Every Pledge You Take - New York Public TV Buoyed by Police Tour Finale...
New York public TV tapped into the final date on the Police reunion tour at Madison Square Garden in a unique fund-raising effort that may serve as a template for stations seeking to broaden PBS' demographics through live music.
About one-third of the tickets for the Police finale were offered as "rewards" for donations to New York public TV sister stations WNET and WLlW, launching their Public Television Rocks marketing initiative and raising some $3 million in funds for the networks.
The deal was orchestrated by the stations' reps; Entertainment Marketing Communications International founder/CEO Jay Coleman and RZO Productions partner Bill Zysblat, co-producers of the Police tour; and Police/Sting manager Kathy Schenker. Tour co-producer Live Nation and the Garden also were involved in marketing and promoting the program.
Coleman says the way tickets were distributed opened up a "new paradigm" that could be used again. About two-thirds of the tickets were sold through Ticketmaster (which donated much of its service charges to Police charities), and one-third of the house was distributed over the air and online to serve as rewards for New York PBS pledges.
The first row alone generated $140,000 via an online auction, which Coleman thinks might be the highest-grossing first row for a concert.
WNET deputy general counsel of program business affairs Ranfi Rivera says the stations wanted to connect with potential donors beyond just over the airwaves. "We put our thinking caps on to come up with other ways that we could draw attention to what we were doing, to reach people who ordinarily don't seek us out," Rivera says. "One of the ways we were able to reach folks was to launch a twowave eBay auction."
In the first wave, front-row seats averaged about $4,200 each as a donation to New York public TV, with such perks as a band meet-and-greet and sound check rounding out the "experience" package. "It's a contribution and obviously people get tax benefits from that, but it was a nice package for a Police fan and it also supported a great cause," Coleman says. Beyond the auction, other price points for pledges ranged from $750 to $100 per pair of tickets for donations.
The second wave, launched after the concert, was an eBay auction of signed Police instruments that raised another $50,000. Throughout the promotion, the two stations served up plenty of Police content on the air.
"It worked, it was great, and it gave [the stations] an outreach to a whole new audience," Coleman says.
"I'm talking to them now about lots of new opportunities for next year. Rather than do this once in a great while, what we can do is take this platform and use it in a way that will engage younger viewers with continuity."
Rivera says the success of the Police promotion will be followed by more music events as part of the stations' Public Television Rocks campaign, though details have not yet been finalized.
Coleman points out that with a dearth of broadcast TV opportunities for live music, bands are seeking TV exposure. "Public television is a fabulous outlet for this," he says. "They are very interested in reaching out to this audience who loves music and would love to see it without commercial interruption.
I believe public television is going to become a very attractive place and as this continues, they'll do more and more music. What needs to be done is figure out the economic model of how to fund it, and that's what I've been working on."
© Billboard by Ray Waddell