We've captured some compelling footage along the Back To Bass Summer 2013 Tour so far, and we want to share as much as we can with our members! We intend to create a "music video" style clip comprised of performance footage...but we need your help in choosing which live song from the Back To Bass tour to use.

Sting's critically acclaimed Back To Bass tour stops in Kitchener, Ontario on Monday, June 17 and we've got two free tickets for one lucky winner and their guest to attend!

Sting performed in honor of Elton John, Billy Joel sang snippets of Foreigner's hits when introducing the band and Smokey Robinson debuted part of a new song he wrote about Berry Gordy. John and writing partner Bernie Taupin received the Johnny Mercer award, and Sting kicked off the night with a performance of ''Saturday Night's Alright for Fighting.'' Sting also called John and Taupin ''my two heroes.''

Check out the latest clip in Virtual Ticket and the first from this leg of the tour. The Virtual Ticket section of Sting.com gives you first access to backstage interviews, behind-the-scenes and rehearsal footage, studio takes etc. Members get rare, inside perspectives...

The ONE Campaign today launched agit8, a unique music-based campaign designed to build pressure for action against extreme poverty in the crucial week leading up to the G8 summit in Northern Ireland. The campaign includes a digital music platform featuring new video recordings of classic protest songs, a new Richard Curtis film that will be projected on the iconic façade of the Tate Modern in London and impromptu live performances...

Sting's current ''Back to Bass'' tour is a tightly packed retrospective, assembling all the facets of his 36-year career into a neat two hours of the obvious hits, some international detours, and requisite ballads. The Ravinia show, the first of two consecutive sold-out nights, accommodated the expectations of anyone who entered the Sting camp early, middle, or late. He didn't push things much beyond those boundaries; instead, Sting performed with the consummate class of a professional who appears more relaxed in presenting his long line of musical trophies than he is earning any more for the shelf...

Sting's latest project - an album entitled The Last Ship, inspired by his play of the same name - was informed by his memories of growing up in Wallsend in the shadow of the Swan Hunters Shipyard. In February 2012, a small local audience was invited to Newcastle's Live Theatre to witness an early reading of the play. The reading, which included new songs by Sting, was performed with a cast and musicians and gave the audience an opportunity to see how things were progressing. At the time, they would have been forgiven for thinking that the songs were nearly finished - in fact, the play and songs were, at that time, still in the early developmental stages, with exciting new improvements and additions to come...

Theatre-goers will be the first to hear an early preview of a new song by Sting. The musician’s yet-to-be released album, The Last Ship, shares the name of a musical play he has devised, which is to open on Broadway next year. And he has given permission for the title song to be included in another new play to be premiered in the North East this month. Director Max Roberts asked Sting for permission to include his song All This Time in the play, Tyne. Sting gave his blessing and also sent a demo recording of The Last Ship along with additional lyrics...

Forget the 16 Grammy Awards and Rock and Roll Hall of Fame credentials. How many 61-year-old men can still rock skinny jeans? He's still got it. Sting’s vocals still sound crystalline, his musical chops are uncanny and his catalog is the unabridged manifesto for Rock Theory 101. He's the original hipster - and the flattery is well-earned. For his globe-trotting ''Back To Bass'' tour that hit Red Rocks Amphitheatre on Wednesday night, Sting stripped-down the production value and offered up a no frills, no gimmicks approach show. For the opener ''If I Ever Lose My Faith,'' Sting strolled out on stage with his bass in hand like he was doing a simple sound check. No operatic stage effects, no pyrotechnics, no fluff. It was a refreshing diversion from the overwrought stage designs that most large acts rely on for theatric spunk...